Tony Goldwyn's A Walk on the Moon (1999)

This can non be done plot of land Marty is in the city. Later, off-white shyly asks about chastiseing untried things while they are having commove, to which her husband, Marty, replies by making a muzzle and coming in dressed like a cowboy. Again, this is another(prenominal) example of the different types of intimacy shared by work force and women and is also typifyative of the predictability/novelty dialectic that often occurs in the midst of long-time married couples (Adler & Towne, 1999). drib opens up about her essential to try different things as a way of spicing up their sex life and another way of getting intimate with Marty. Marty makes a joke, which seems like avoidance, but is his way of keeping the predictability that he likes and pass judgment her request at the same time (Adler & Towne, 1999).

When bead meets footer she feels like a jaded housewife shopping with entirely the other jaded housewives, and it seems like things will always go this way for her. He sells blouses out of his bus and charms the ladies into buying his goods as a natural way of making sales. Later, he gives licorice to the children as a natural way of making friends, not thinking about the implications. Blouses and licorice, both being tangible things, represent how he is connected to the somatogenic aspect of life, how he likes to enthral the physicality of things, again without thought of the consequences. So, it is no surprise that he would want to enjoy the physica

lity of Pearl. Pearl responds to him because of her need for novelty, but also because the predictability that created intimacy mingled with Marty and herself has leave out her down physically, so she wants to recreate physical intimacy. This is what she seeks in her participation with Walker.

The only thing in common between Pearl and Walker is their need to share the physical with one another. in that respect is never any declaration of love everlasting between the two characters. Their only shared experience has been on the physical level.

In the end, Pearl chooses her husband and family because her investment of time and emotion outweighs her need for physical experience and novelty. She understands that the physical intimacy she wants whitethorn not be enough if there is not the horny disclosure or shared goals and tasks that she wants as well. In return, however, Marty compromises his need for predictability in their intimate physical life in hostelry to keep her as the partner who will share in the task of raising his children and being emotionally involved in his life.

On the other levels of intimacy, however, there is no question that Pearl loves her family and husband. The shared task of raising children and preparing a home, along with 14-15 old age of shared emotional disclosure has created an extremely intimate bon
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