King Vidor & John Ford

The industry was thusly in turmoil as to the nature of movies in the future, the need for dependable, the cost associated with transforming an industry dedicated to the close film into an industry producing sound films, and the ability of silent actors to succeed or fail in the unused reality of sound (Knight 128-129). The Crowd can thus be seen as an example of the highest development in silent film, and King Vidor indeed created a film that made all-encompassing use of the capabilities of the silent film to tell its story and charter its audience.

The film comes at the end of a decade of change magnitude prosperity, and yet it was a prosperity that did not affect everyone. The electric ray of The Crowd is a gross man who has not benefited from the post-World warfare I boom. Of course, that boom would prove to be illusory at bottom a year with the Stock Market Crash of 1929, precisely most Americans saw no sign of that coming hap in 1928. Most films of the time were escapist entertainment of the tell that has been the mainstay of the film industry almost from the beginning, and The Crowd is an expulsion not only for the industry but especially for Metro-Goldwyn-Mayer, a studio known for its lush productions featuring major stars. The Crowd, on the separate hand, was a serious film about issues of concern to golf-club and without major stars.

The story of The Crowd occurs a year forrader the stock market crash that would create the De

In keeping with the tenor of his era, King Vidor sees the crude man as part of a larger social structure, while Ford sees the plebeian man being laboured into isolation by circumstances beyond his control. Vidor produced The Crowd in a time of optimism that would in short turn to bitterness, and in slightly ways his film is prophetic in the way it foreshadows the unemployment that would soon affect America. Ford was reacting to the public that Depression had created.

The technique utilize by the director mirrors the nature the main character, creating a world that seems very real, very common, very much the stuff of unremarkable life. Vidor avoids flashy imagery for the most part, preferring to create a serial publication of familiar images of daily life and the work and life of the common man.

At the same time, he shows a willingness to use the camera cleverly in order to emphasize a theme. The expiry of the film is one of the best examples. The man gets a new ponder selling sandwiches. It is not a high-paying job, but it is a job. He and his wife celebrate by attending a show at a local theater. The two express mirth at the clown performing on stage, and the camera begins in a close two-shot in which we see only these two people. The camera then slowly pulls back to reveal the crowd of which these two are a part, the audience in the theater. Vidor universalizes his means with such simple lastments, linking the two main characters with all of humanness and asserting that the themes of the film apply to everyone.

pression so important in The Grapes of Wrath, but the main issue is much the same--the hero loses his job and falls into despair. He finds himself one of the crowd, the mass of human beings who move through life not as a unit but as a million or to a greater extent individuals each with their own lives and concerns. The man is intended to represent the common man, with the same problems and the same ability to dig himself out of his problems with driving and the help of his wife, who in this film
Order your essay at Orderessay and get a 100% original and high-quality custom paper within the required time frame.