Women in the Romantic Era

Mary Wollstonecraft felt that wo custody were tenderise to artificiality, weakness of character, and secondary status and role in familiarity comp ard to men. To some degree she considered both the Church and the State as having at least partial responsibility for maintaining a hearty system in which these characterizations were allowed to flourish. In A Vindication of the Rights of Women, Wollstonecraft argues that women be training from birth to be dependent on men and are raised in the federal agencys of artifice to placate men, "It is acknowledge that they spend many of the first years of their lives in acquiring a smattering of accomplishments: meanwhile strength of consistency and mind are sacrificed to libertine notions of beauty, to the desire of establishing themselves,--the only way women can rise in the world,--by marriage ceremony" (Wollstonecraft, Intro., 3).

Because of conditions imposed on them by men, Wollstonecraft argues that women live in a virtual evince of enslavement because of such constrictions, forming a self conflict that inescapable reflects their fondly inferior status. Wollstonecraft argued that in the society in which she lived, women were disruptive and demeaned. This kind of treatment at the hands of men, Church and differentiate caused women to develop negative and self-deprecating behaviors. Wollstonecraf

Cunicello, P. Mary Wollstonecraft. Viewed on July 14, 2003: http://www.english.upenn.edu/~esimpson/Teaching/ amatorys/patrice.html

Such thwarting was not uncommon by women who could not tolerate world the female slave of a male master. Such linguistic communication is unthinkable in contemporary times, but in the Romantic era women were considered more as reflections of their husband's than as individuals in their birth right. Such attitudes and limitations were reinforced by a male reign social patriarchy that was implemented through various social institutions including work, religion, education and government. In other of her works, Wollstonecraft tried to erode the precedent of such social institutions.

She attacked the institution of marriage most forcefully in Vindication, which she viewed as an institution that made women into chattel. She felt that marriage in the Romantic era only served to provide men with legal ownership of their wives and their children. In other words, women were relegated to property of men. In the novel female horse Wollstonecraft basically argues that women through marriage as it was at the time are made into virtual prostitutes, marketing their sex to gain the economic support of men. Maria eventually is committed when she will not adopt the roles prescribed by men. As Cucinello writes, "The protagonist is imprisoned in a noetic hospital at the hands of her abusive husband. Maria reiterates Wollstonecraft's views on the disabilities that society imposed on women" (1).

Wollstonecraft also wrote the novel Maria or The Wrongs of Woman in an effort to depict the passions of men and women that often posit women as secondary citizens in personal matters of home, work, church and government. Once again Wollstonecraft's aim is to illustrate for readers how the social environment and its institutions are responsible for shaping images and ideas of self. With respect to women, these images are often detrimental to their own sense of self-esteem and i
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